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The abandoned ruins, the hidden gems found at the flea market, the illegal basement raves are a thing of the past. The era of Berlin as a site of urban archeology is over. Almost all the damaged buildings have been repaired, squatters have been removed, the shops selling East German furniture have closed down. Without its wounds, the landscape of the city is perhaps less striking but more solid, stronger.
Even the city’s inhabitants have lost some of their melancholia, their romantic and self-destructive streak: today you can even find people who come to Berlin to actually work, not just to “create” or idle their days away. Yet, Berlin remains a youthful city that doesn’t cling to its “poor but sexy” past, whose only sacrosanct principles are an uncompromising multiculturalism and the belief that its future is yet to be written. To quote someone who knows the city well, Berlin is and always will be “pure potential.”
BERLIN: THE PASSENGER
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